I am kicking off my first journal post with a little introduction about me, my background in design and what my plans are for the future

On graduating in Textile Design from Goldsmiths in the 70’s reality hit hard and I had to work out what to do next. A space to work was top of the list and I joined the Barbican Arts Group which was a group of studios in a rambling Church Commissioners building stuck incongruously in the middle of the smart Barbican. Studio rent was paid for by waitressing, flogging cosmetics and anything legal.

A chance table clearing meeting with an interior designer led to me supplying the interior market with handprinted and painted cushions and blinds. These were spotted by a Harvey Nichols buyer and consequently with some large orders – I gave up the bar work.

Fast forward to the 1980’s when I was offered a teaching job on a Design studies course. I took the opportunity but I'll be honest there were definitely some late nights researching and a little bit of winging it along the way. The course was far broader than my specialism in textiles but I loved every minute, and with my new found knowledge I took the chance to set up on my own and move into a new area of Interior Product design.

My first big break came with my first paper screen which was bought by the Conran Shop. 

Giddy with the success of the paper screen, I ploughed my profits into a fancy trouser suit and a stand at the 100% Design trade show. I continued to show there for the next three years and alongside showing new products, I made contact with a great selection of designers and buyers. Some of whom I still work with and speak with to this day.

At my last 100% Design Show, I showcased my new perforated range. A new style I had been experimenting with across various materials and applications. But it was the geometric blinds that caused the most interest and discussion.

These were taken up thankfully by Silent Gliss a large blind company, who wanted to use my design for a new range. At the time I was creating the blinds by bashing out the holes manually with a mallet and template, so to have a partner who could help create my design into a commercial reality was a truly gratifying experience.

I collaborated with the company for several years and help to design their Eclectics collection. A bright and contemporary range that was very fitting for the 90's aesthetic and style of the time, it was a very successful period for the brand.

After a few years away from blinds, I wanted to experiment again with different techniques and onto different applications. In more recent years I have been collaboration with jeweller Marlene McKibbin on a range of lamps, and these have been showcased in private exhibitions. As well as this I have been designing a lighting range for Future Heritage at Decorex.